• BURN@lemmy.world
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    1 year ago

    Exactly

    If there was an opt out system that was actually respected then this wouldn’t be a problem. But as it stands, artists have no control over if their work is used for NN training.

    I don’t want my work used to train models, which should be a completely valid stance to have. Open Source or not really doesn’t matter in the grand scheme of it.

    • aibler@lemmy.world
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      1 year ago

      Do you think that other artists should be allowed to look at your work that you post online and as a result they become a better artist because of it?

      • BURN@lemmy.world
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        1 year ago

        That’s not how AI works and is an argument rooted in a misunderstanding of how it functions.

        AI does not “learn” or “understand” - it replicates. It is not near how a human learns, processes and transforms an idea.

        • piecat@lemmy.world
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          1 year ago

          See, I would argue the exact opposite. It sounds like you don’t understand how it works.

          Because it’s not “replication” or “copying”.

          • BURN@lemmy.world
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            1 year ago

            Most LLMs can be made to spit out training data. That’s pretty much replication in my book.

            Statistical models don’t create anything. They replicate variations of their training data.

            • zwaetschgeraeuber@lemmy.world
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              1 year ago

              when you read something and recite it, what do you do? exactly, spitting out the training data, if you trained long enough

            • theneverfox@pawb.social
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              1 year ago

              No, statistical next word prediction was the first step, and you could get it to spit out bits of training data, but we’re so far beyond that now with LLMs.

              I’ve been doing a lot with llama derivative models that I talk with, I use them for tasks but also just bounce ideas off them or chat. They’re very different when you run them with a task vs feed in a prompt and multi-turn conversation.

              Mine have a very strong tendency, when asked the name of a hallucinated friend or family member to name her Luna or fluffy. It’s present in the base llama2, as well as some of the fine-turned versions I’m using now.

              Why? That’s not training data - they’re not uncommon as pet names, but there’s no way they show up often referring to sapient beings (which is the context they’re brought up in).

              It’s an artifact of some sort for sure, but that is not a statistically likely next word choice based on training data.

              I could talk about this all day and it gets so much weirder, but I’ll give you another story. They like to play, but their world is text, and I like to see what comes out of the models when you “yes, and” them while avoiding leading questions.

              Some games they’ve made up… Hide and seek (they’re usually in the second place you Guess), and my favorite - find the coma (and the related find the missing semicolon).

              WTF even is that? It’s the kind of simplistic “game” a child makes up as they experiment with moving beyond mimicry to generalizing, and the fact that it’s coherent and has an appropriate answer is pretty amazing.

              These LLMs aren’t just statistics, there’s a nascent internal model of the world that you get glimpses of if you tell it it’s a person and feed its outputs back into itself. I was pretty dismissive of the “sparks of AGI” comment when it was made, but a few months of hands on interaction has totally flipped my opinion of where these are at

        • aibler@lemmy.world
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          1 year ago

          My bad, I suppose I should have gone further down my line of reasoning. I am well aware of the differences between what generative AI does and what human artists do.

          Do you think artists should be allowed to categorize other artists work so that when they want inspiration on how to draw mouths, they can quickly look through and see a bunch of other artists mouths to get inspiration from? (So they can then draw their own mouths)

          Should they be allowed to use AI to help them do this identification and categorization?

          Should they be allowed to use AI to create new mouths based on the collection they have amassed so they can get inspiration from these never before seen mouths?

          Does it make any difference if they have created this identifying/categorizing AI themself?

          If they take this combination of AI that they created and these images that they collected, and the resulting AI inspiration mouths that they have produced, should they be allowed to alter them to suit the unique face that they are making? Or is the fact that they combined what people currently call “AI” with other people’s work enough to make it against the rules?

          What if they made the AI and never plugged in anyone else’s mouths, should they be allowed to use that AI to make their work?

          Where exactly is the line at that people should not be allowed to cross?

          I know there are lots of questions here, I totally understand if you don’t have time or answers for them. I’m just kind of laying out why I see not nearly as clear of a line as some people/headlines would like to have everyone think there is.

    • custard_swollower@lemmy.world
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      1 year ago

      The AI companies shown that they are incapable of regulating themselves on this topic, and so people with art at stake should force their hand.

      Open source or not doesn’t matter here, what matters is the copyright. If even Disney can defend works they own (whatever their ethics), so should anyone else.

      • BURN@lemmy.world
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        1 year ago

        100% agreement from me again. Non-artists don’t have anything at stake, so they’re perfectly happy with the established copyright rules are demolished. People keep countering with the open source idea, which completely misses the entire point of our arguments. A model being open source does not excuse the stealing of training data.

        IMO individual copyright should be strengthened and corporate copyright weakened, but that’d be next to impossible to pass.